The first day of London Fashion Week and an early start to see the first catwalk show in the big tent at Somerset House. Costelloe really does have a large family!
She opened the show in a short burgundy tweed coat with oversized collar and closed in a cute metallic burgundy baby doll dress.
These traditional fabrics had been given a face lift with mini skater skirts, short tailored swing jackets and coats, plus the bold splashes of peacock blue, emerald, mustard, burnt orange and fuchsia.
Not to be outshone, collars and buttons were large making a statement. The sumptuous setting of the Lancaster ballroom with its crystal chandeliers added to the elegance.
Inspiration came from the tribal to the Brothers Grimm fairy tales. Several catsuits and dresses sported a modern twist with a racer style back softened by the fluidity of the fabrics.
The look was fluid and cleanly cut with the fabrics bringing rich textures such as silk, georgette, lace and cashmere tweed. From the floaty pastel hues of their Indian inspired SS11 collection, designer duo Jenny Holmes and Dimitris Theocharidis go dark and grungy in their AW11 collection looking towards Norse mythology for their inspiration.
Touches of leather appear as plaited braids and patches on some of the garments giving the illusion these warrior women have been busy making their own clothes in the traditional Viking way.
This more so on the high heeled shoes covered in curled edged patches of brown leather. However these warriors had the luxury fabrics on hand with cashmere sweats, silk modal jerseys and sand washed silk satins with touches of soft baby alpaca wool hand knits.
Denim reappears from last season but this time ranging from a pale treated washed look to the darker blacks and greys, with light jersey semi ruched leggings in denim look prints.
Key pieces were, the brown and black silk dress made of shorts with a long billowing trail and leather patchwork tight sleeves; and the oversized faded black padded coat with exaggerated shoulders but fitting snugly around the knees.
Prophetik is an ethical range so the fabrics used are eco-friendly such as hemp and organic velour.
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The quilts are a patchwork of colours, but the main colour palette of the collection was neutrals, white, black and the splashing of rich hues well it is Louis XV inspired in emerald, plum, violet, deep scarlet and burgundy.
Whatever the reason, the feathers gave an otherwise simple gown a touch of grace and playful frothiness. Teamed with wool jodhpurs considerately lined in linen which were embellished with reclaimed gold piping and antique gold buttons.
The men were striking in military style jackets, jodhpurs and short velvet baggy breeches, although it probably is not a look you could pull off in everyday life.
The colour palette was the deep rich colours of amethyst, burgundy, gunmetal grey, purples, navy with pale gold. Blanket like wraps were layered over skirts and trousers or draped asymmetrically over wool day dresses and blouses, giving a Celtic feel.
The knee length pencil skirts and dresses were more inspired by the haute couture with their clean lines skimming over the female form.
Then the real drama appeared in the guise of a Sir Walter Raleigh style puff ball cape in silk metallic green, a pale gold silk gown with semi hooped skirt and flat stiff bodice with the finale dress looking regal with its oversized puffed ruff collar and long train.
Here the models represent fairies in lush tones of magenta, emerald, deep sapphire, crimson, coral and granite whilst the Queen of Fairy looks dark and mysterious in granite voile and silver sequins.
Opening the show are the fairies, sorry models, in striking bold floral patterns on a background of forest green and turquoise blue velvet.
Then came the elegant long draped jersey dresses in plain deep sapphire and crimson, followed by green and yellow pattern chiffons which brought a light airy freshness before going back to deep block colours, this time the turn of emerald.
After a full first day, the second day started miserably with queuing outside in the rain and cold for my first show at the Northumberland hotel.
Once inside and quickly thawing, the show began with a shocking pink futuristic mini dress, worn with matching tights and shoes designed by Guiseppe Zanotti to make sure we were all paying attention.
This set the scene for a blaze of all over eye popping colours in reds, oranges, pinks and a slightly more subdued electric blue.
09.03.2020 – Among the women. Mara Carol. A necessity to any wardrobe, this long sleeve stretch top has a round neckline and peach soft material.
Not the usual autumnal colours here. Our eyes were sometimes given a rest with the solid classic navy and blacks. Wide zips were exposed and the main attraction were the half peplums giving volume to the pieces.
These ranged from the more traditional short peplum in the same fabrics as shown on a double breasted orange trench coat with tulip style skirt, to the oversized shiny black bow style on an orange diaphanous lace maxi dress.
Mainly block colours the pattern when it did appear was of a tartan style, and surprisingly subtle being made up various hues of the same colour.
Fabrics used were leather lace, silk velvet, jersey, lace and not forgetting the ostrich feathers made in to jaw dropping shocking pink and orange mini dresses.
Posing on pedestals were two buff guys in what looked like nappies — but on closer inspection any excuse hey?
Thorny black and white prints also covered a billowing maxi dress and fluid minis again with the graduating hemline. To decorate a traditional choxa, lots of ammunition is used one being a row of bullet tube pockets across the chest.
Bukio reduces the row and adds to feminine diaphanous blouses which are balanced out with strips of leather on collars or shoulders.
One of her key pieces: was a black jumpsuit with leather shorts and chiffon top embellished with the bullet tube pockets.
Fraser burnt orange cross front mixed lace body quilts tights unflattering
She takes the bullet on other pieces a step further by adding to the side of waists, as belts and trimming the tops of her knee length boots.
These boots were a great addition to her signature shoe collection with their cut out leather side pieces. The traditional coax colours of black, white, grey and wine red were used given a clean palette.
However she mixed it up with the more autumnal shades of dark and mid tone browns, camels, rose beige and a few pale pastels which she used for her chiffons to bring a more feminine feel to the darker masculine leathers and bullets.
Her signature chunky triangular heels, both in plain and in two tone colours, were nearly upstaged by the chunky 4 bullet leather heel, but I think that style was only for this season — a pity as they were stunning.
Carlotta is passionate about ethical issues and delivers her message through her designs.
Best Sewing images in | Sewing, Diy clothes, Diy fashion
The inspiration for this collection was formed from cruelty against animals especially the slaughter of seals for their fur.
Main colour palette was striking with white representing the ice and snow, navy blue for the cold sea, and splashes of red for the spilt blood. Faux fur represented the actual seals.
Her usual signature bodysuit was replaced with transparent leggings and body stockings in the geometric designs.
Shakespeare’s burnt orange cross front mixed lace body quilts next day
These looked equally stunning under the full skirted dresses and their red netting, but came in to their own when seen under long diaphanous fine wool tops.
The colour palette was a range of purple shades from the palest greyish purple to deeper but muted hues; and a range of muted greens from the mustard greens to olives.
The purples represent flowers whilst the shades of green suggest the leaves in the Garden of Eden. The opening gown shone with its metallic gold panels emblazoned on the folded chiffon bodice like the rays of the sun.
A short cocktail dress seemed to represent the happy days in the garden with its shiny satin silk in top pleated in shades of fresh lime greens and its floaty chiffon skirt dancing with its embellished flowers.
Layers of chiffon fall like delicate shreds to form the skirt of a satin silk ruched cocktail dress in light aniseed green, whilst a long simple lilac gown in satin silk was given texture with a crisscross patterned bodice.
Delicate woven lace flowers, layers of sheer fabrics, asymmetrical hemlines, and dramatic necklines symbolise the story of sin, angels, curiosity and beauty.
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The opening model wore matching cape and pencil skirt made from short faux fur in ridged lines of black and white. The cape was not of the usual free flowing style but tightly fitted across the shoulders and formed a tail coat at the back; the pencil skirt was made up of layers opening across the front like the layering of feathers.
Necklines were high with either long thin feather like bows pointing upwards as in flight, or multi layered voluminous collars circling the throat as a bird would puff out its plumage to attract a mate.
Plain body skimming shift dresses are given texture from shoulder to the throat with high gathered necklines pulled in as you would a cloth bag, whilst the shoulders of jackets are puffed out with extra overlapping layers like feathers.
Colour palette was a base of black with the more mate attracting rich tones of oranges, reds and greens.
This bodysuit features a zip-up mock neck, soft stretch knit material and a thong panty with snap closures. The knee length pencil skirts and dresses were more inspired by the haute couture with their clean lines skimming over the female form. Burnt orange cross front mixed lace body quilts Casual It includes a textured teether, ratling butterfly and a peek-a-boo mirror.
Fabrics of faux fur, gossamer silks, taffeta, velvet and chiffons gave texture. This show started as it meant to go on with a blaze of colour.
Petite burnt orange cross front mixed lace body quilts white
The top of the dress was a Kaleidoscope of colours and patterns also the title of the collection and to balance out the top with the voluminous skirt, the square folded shoulders were sculpted to stand to attention.
Colours were bright with ultra violet shades of pink, orange, green and blues. Patterns played a key role with the geometric shapes of the kaleidoscope patterns to the more blurred edges of a mirage or rainbow.
The styles were an eclectic mix from those voluminous netted skirts in printed silks to the knee length pencil skirt in sci-fi silver metallic leather.
Wearing that I could happily study how the light shimmers off the sequins. The last day of London Fashion Week and the first show of the day was back in the big tent at Somerset House.
But it is in his softer fabrics where the brogue pattern excels. Here he takes porcelain Swarovski pearls, designs them in to clusters and lines to create the effect of raised brogue patterns.
Silhouettes were clean; the brogue lines contoured breasts giving a warrior princess look especially in the leather, whilst other leather pieces were softened by mixing with chiffon and waists wear cinched in.
As well as the blacks and browns, the colour palette included rich tones of teal, mustard, orange and burgundy — all the hues you expect for the autumn.
Next stop was to the Freemasons Hall for my next show. No shoving and pushing here as everyone was allocated seats and yours truly was on the front row.
This was an array of colours and textures. Leather jackets, hand knitted Arans and Irish tweeds were encrusted with sparkling crystals.
Rachael Wolf’s Closet (@rachaelwolf7) | Poshmark
The models wore oversized and heavily embellished neck pieces made from hand woven silk, nappa leather and Waterford crystals in reference to the Irish heritage.
These glammed up the simpler garments often set on faux fur stoles, but also added extra glam to the prints and already embellished pieces.
Tweed suits were a patchwork of rich colourful fabrics horizontally panelled with Indian brocades, feathers and crystals.
The traditional coax colours of black, white, grey and wine red were used given a clean palette. It exhibits high clarity with few inclusions. Burnt orange cross front mixed lace body quilts Katherine Kelly Lang is a talented actress and renowned international celebrity, best known for her role as Brooke Logan on The Bold and the Beautiful.
Footwear was either high wedged wooden clogs, chunky very high platform wedged boots or the flat Chelsea boot. The clogs were covered in splashes of paint as though worn by an artist whilst painting; the Chelsea boots were a patchwork of different fabrics and colours, and the high wedged bovver boots were in bright shiny patent.
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